top of page

OPA LOCKA

A Theatrical Interpretation of the Exotic"

Opa Locka's planners drew inspiration from Southern Spain to Persia, piecing together an assortment of allusions to Islamic architecture with unashamed whimsy. The city is a highly romanticized interpretation of an exotic cultural milieu popularized by Hollywood films and archaeological discoveries of its time. In this fabled vision, two worlds collide and merge: a world of the imagination, of fancy palaces and North African bazaars, and an early 20th-century frenzied capitalist world. The resulting architectural fantasy is more of a theatrical interpretation than a faithful representation of a specific period style.

The city planners anticipated the needs of diverse classes of inhabitants and visitors through its design and functions. It offered practical amenities for residents such as an elementary school, a bank, and an industrial district to work in, while tourists, wealthy inhabitants, and local visitors could enjoy swimming at the Bathing Pavilion and playing at an extensive golf course. In many ways, this design anticipated the self-contained world of resorts like Disneyland, whose centerpiece is also a fabled palace from which the park's sections radiate.

PRODUCTION YEAR

2013   Updated 2022

PLATFORM

Sketch Up, Enscape

Buildings & Landmarks

References

BOOKS

FitzGerald, F. S. (1976). A dream of Araby: Glenn H. Curtiss and the founding of Opa-locka. South Florida Archaeological Museum.

JOURNAL ARTICLES

Lane, Christina. “Forging Florida’s Sun Screen: Architecture, Film, Orientalism, and the Settling of America’s Final Frontier.” The Mississippi Quarterly, vol. 63, no. 3, 2010, pp. 373–98. JSTOR, http://www.jstor.org/stable/26477295. Accessed  30 Aug 2012.

 

Lynn, Catherine. “Dream and Substance: Araby and the Planning of Opa-Locka.” The Journal of Decorative and Propaganda Arts, vol. 23, 1998, pp. 163–89. JSTOR, https://doi.org/10.2307/1504168. Accessed  30 Sep 2012.

Archives

bottom of page